Downtown Orlando Nightclub Nightclub celebrates a year of bararella showcasing to the public with creative, forward-thinking DJs of all generations with iconic Florida party planner: DJ Three. Although DJ Three (born Christopher Milo) now resides in New York City, he helped launch the Florida dance music scene in the 1990s with a DIY spirit of adventure that saw him take steps such as launching the dance music scene. first rave in the Southeast, bringing Moby to Florida, and playing countless house and techno sets in clubs in Orlando and Tampa. Not one to rest on his historic laurels – although there are plenty of them – DJ Three still regularly tours in clubs around the world and runs tasteful record companies, the latest being Hallucienda. See history repeat itself (and rewrite itself) this Friday.
Orlando Weekly: Taking a look at your history of playing in Orlando, tell us about some of your favorite shows that you have played over the years. You’ve performed for everyone, from Q-Burns Abstract Message for its Club Queso and DJ Icee at the Edge parties to your own parties at Firestone in the 1990s and recently for Infiltr8: Celebr8 at Iron Cow.
DJ Three: Wow, so many memories from small venues to full-fledged big clubs. I think my years in the mid-90s at Firestone bring back the most vivid memories because the club was established on such a large scale. It was a monthly collaboration with their in-house promoter where we went out of our way to present a vibe that wasn’t necessarily what made the most noise in Florida. We would have more house and techno oriented guests like DJ Duke, DJ Sneak or artists better known for their music than for DJing, like Dobre & Jamez from Touché Records, and evenings where I played extended sets. Robbie Clark and DJ Daisy played an amazing gay party until 2 a.m. and then the transition was seamless until late at night with this kind of programming which created an incredible mixed crowd.
The promoter would buy sets sold by Disney so that the club would always look even more amazing than it already was – one night it looked like a tropical rainforest between props, lasers and the silent curtain of club dry ice. Musically, sometimes we would pull together different aspects of the stage and book numbers like Planet Soul to play live, but with me I was a DJ before and after pushing house and techno into the crowd. breaks, creating truly special moments. It was two amazing years there.
OW: You’ve been credited with hosting some of the first unique rave parties in the South East …
DJ3: The dance music of ‘house’ persuasion was already happening in clubs, of course – notably in Orlando, but I had been to Los Angeles for a few weeks for NYE 1991 to see firsthand what was going on with American rave culture. . I came back fueled by conviction and heart passion, totally determined to have parties like I had experienced there, which were one-off events in warehouses or rented spaces with only a phone number or multiple points of contact. map to let you know where it was show day. At the end of 1991, we made The Raven in a warehouse in Saint Petersburg.
We had things like a black light room with paint pens for people to draw and paint. Myself and a pre-Rabbit in the Moon David Christophere performed the music we were working on, and we invited other key DJs from all over Florida who also pushed that music to really try to bring everyone together. Then, in March 1992, we were the first to bring Moby and Doc Martin to Florida for an event that featured a virtual reality machine and “smart drinks”. These two are the most remarkable, I think.
OW: You have been very active in the Tampa area for many years. Can you talk about the scene there and your involvement in it?
DJ3: Well that’s where I grew up in my teens and twenties. What we just talked about covers the early ’90s and those things led to DJ Monk and David Christophere founding Hallucination Recordings, Rabbit in the Moon, and then there were other factions of people who supported a thriving party scene all over the place. throughout the decade. As for the scene, when I moved to New York in 2002, I started a night in Tampa called Snatch that I was flying for as part of my monthly tour. Basically I wanted to make sure that the DNA of where I arrived in Florida and the surrounding area would continue to have something that was also in sync with what was going on in my DJ journeys.
So I was flying as a guest and we also brought DJs like Felix Da Housecat, DJ Harvey and Laurent Garnier. The way Miami has become for more underground club music over the past 10 years is what Snatch was like in the 2000s. Eventually we made the night twice a month to welcome and uplift the thriving local DJ scene, which included people like Öona Dahl and Joint Custody. From 2002 to 2012, Snatch was the perfect Hyde Park Cafe storm as a venue, a dedicated crowd that would come from all over Florida, and amazing friends and DJs – Grumptronix, DJ Matty, and Brian Busto were residents for those 10 years. I went there and was a DJ in most of them, I can say it was one of the best small club nights in America for that 10 year period.
OW: What are you planning for the anniversary show? For you, this event establishes a kind of filiation between generations of DJs and scenographers.
DJ3: There is never really a plan, I just try to connect the crowd to my musical fantasy. I am really happy to be the guest of a year at Discotheque and it is in Barbarella, nothing less, which definitely brings a lot of sensations! I agree, the dots connect and it’s always better when they do. In Tampa, Brian Busto picked up where I left off with Snatch in 2012 with his Serious Soul events and he’s opening for me at the Nightclub. This notion of lineage also applies to the other Orlando nights you mentioned earlier.
I feel very lucky to have these roles at parties in Orlando and really everywhere in Florida that I could. It’s most important to me that this music thrives wherever it can in Florida, because that’s where it all started for me.